City Sunday

IPL versus Box Office

Films, when released, are sensitive to any and everything that may affect its potential. The box office is sensitive to just about everything that happens outside of a film auditorium. Say, a strike, unrest, cricket, festivals and so on. Not to forget the television, video, CD, DVD and, now, OTT, the small screen content streaming.
This takes me back to my initiation into the film industry through a distribution company. Film offices worked on a bare minimum basis in those days. There was a manager, his assistant, a typist-cum-telephone operator and a peon. There was no corporate culture where more people are employed than the company can ever hope to recover unless every film is a hit.
In those days, a film distribution company which released a film got a DCR (Daily Collection Report). No SMS, WhatsApp message or emails. Oftentimes, when the post delivered the DCR to you, a film could very well have been discontinued from a cinema.
These DCRs came from each town and city where your film released. It mentioned the collections of all the films released or running in the said town. The figures of all the films told you where your film stood vis a vis other films. But, besides these details, the DCR also reported about the other distractions which, in film parlance, were called oppositions.
These other oppositions included local language films, a circus in town and festivals. There was also a mention of the weekly market in small towns where people from surrounding villages gathered to sell their ware. When it came to festivals, some were good for the box office collections while some others took away from them.
The festivals like Ramlila, Holi, Navratras etc spoiled the box office prospects in the North, Ganesh festival, Navratri and such affected Western India, especially Mumbai. Even in those days, Bombay Circuit, which included Mumbai, Gujarat, a part of Karnataka and also Goa, was the most lucrative followed by Delhi, Uttar Pradesh and Punjab. While the makers avoided releasing a film during such periods, Ramlila, a circus in town or any such show was considered major opposition to films.
Now, the era of DCRs is over. Things are getting centralised. Thanks to GST, entertainment tax rates have stabilised as a reasonable percentage of the admission rates, nationally. Earlier, it was on the whim of the states as the cinema business was on the concurrent list and, hence, a state subject. Entertainment taxes varied from state to state. What happens now is that one need not wait for a local representative to post you a DCR which would arrive a few days after it did not matter anymore. The Net has made things easier.
While communication has become easier, the meaning of opposition to a theatrical film has changed. The major challenges started with the advent of electronic media. First, it was analogue TV, as in Doordarshan which ate into film collections with its film programmes including film telecasts every Sunday evening (prime time for cinema), followed by video format, VCD, pen drive, hard disc storage and so on. With, the latest being OTT streaming content.
The film industry now has a more defined meaning as an entertainment industry. In that sense, the film industry has taken TV serials and channels in its stride because both mediums have combined.
The TV gave work and income to a lot of actors and other creative lot not finding enough work in films. Later, it went on to make big named stars a part of the TV bandwagon. Now, television and OTT are no more considered oppositions as all three have merged. A filmmaker or an actor can well be doing a TV serial or an OTT content and vice versa. Unlike it was initially, a small screen does not demean a big screen star’s status. In fact, some of them are minting more money on smaller screens in shorter times than they would on the big screens!
Just about every major star like Amitabh Bachchan, Aamir Khan, Salman Khan, and Shah Rukh Khan has accepted television as another medium of entertainment. The character artistes find work in both mediums. Now, they also find work in OTT platform and it won’t be long before big stars join in too. But, while film, TV and OTT have intermingled, there has always been an outside force to weigh down the box office on a regular basis. And, that is cricket. India plays cricket on a regular basis and one can say cricketers work more than a normal office going person does; say about 150 days a year not to count county cricket and nets.
The major affront from cricket on the box office started with ODIs, the 50-over matches provided trill. To add to the woes of the industry, T20 followed. This three-hour format, usually played in the evening, that is 4 pm onwards, started telling on box office collections as they affected at least two shows on the day the match was played. Which was a day or two.
So far so good as the film industry coped with cricket in its three formats as it did with a circus in town, festivals, ODIs and, even, T20s. But, then came the biggest circus of them all. The Indian Premier League (IPL). This was not a one-or-two-day affair. It hogs up a whole season. Just about the entire summer! Earlier, the summer vacations brought in footfalls at the cinema halls. Of course, now things have changed. One does not go to a cinema just because it is a vacation, thanks to admission rates. Now, a film has to be worth that much money and effort. (MR, Inputs: Agencies).

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